Richard's stories, theatre, and English teaching

In this blog I will comment on things related to my work as an educator to students who are new to English, as a drama teacher, and as a storyteller. The views and information are my own and do not represent the English Language Fellow Program or the U.S. Department of State. To find shorter, more frequent postings you can follow me on twitter (@richardsilberg), or instagram (richardrjs)

Sunday, October 20, 2013

Words that lead to stories

     What words remind you of a story?  Does the word apple conjure something, a narrative perhaps, in your imagination?  How about the word river, or devil, or queen?  Of course there are words that inhabit the world of story for students.  In this activity students broke into groups of 3 or 4, and armed with their own knowledge and dictionaries, began to create alphabetical lists of words that evoked a story for them.  We will use them, and add to them, throughout the coming weeks to create stories and therefore language (think of these as the bricks, and all the connecting words, verbs and sentence structures we need to make them come alive as the mortar).  Here's a photo of one groups efforts.

Thursday, October 17, 2013

Thursday, October 17


Oh my, oh my.  Three weeks have gone by since my last post.  I am here now to say the group has been busy and really getting used to the idea of using drama to learn English.  I’ve been thinking about narrative a lot.  In particular how all my students, regardless of their cultural background, have a keen understanding of story.  Not just an understanding but also a need.  A need to use language to story.  To story in order to make sense of experience.  I’ve told many stories in class that we then use to create tableaux (still pictures) and build dialogue out of.  I also play a game, almost daily, called freeze tag that makes use of kids inherent need and desire to make a story out of what they see.  The basics are this:
We sit in a circle.  Two students enter the middle and move around the space—they walk, they dance, they do whatever until I call freeze.  They are now in a frozen pose, a tableau.  I call freeze when I think they are in some pose that “poses” interesting possibilities.  I then ask the other students what is the story here.  We build on this for awhile and then I ask someone else to take over for one of the performers and create a new pose that creates a new relationship and therefore a new story.  And we continue.  Lots more can be built from this basic game:  with students very new to English I might ask them to tell me a word about what they see.  To more experienced students I press them and extend their language to build a fully formed narrative.  It has become my favorite routine in the class because it is filled with both theatrical and linguistic possibilities.