Richard's stories, theatre, and English teaching

In this blog I will comment on things related to my work as an educator to students who are new to English, as a drama teacher, and as a storyteller. The views and information are my own and do not represent the English Language Fellow Program or the U.S. Department of State. To find shorter, more frequent postings you can follow me on twitter (@richardsilberg), or instagram (richardrjs)

Monday, September 2, 2013

First week summary:  We did an activity has both language and drama possibilities.  It is a common drama game called object transformation.  The basics are this:  A person stands in front of the group holding a common object.  We used a marker, but it could be an eraser, a ruler, anything you have in the classroom.  For English Language Learners we provide a sentence frame for them to work with.
It was this:
"This is not a marker, this is a________________. "  They name another noun,  and then they dramatically transform that marker into the new object.  It could be anything.  For example if a student said:  "This is not a marker this is a dog" , he or she would pet their marker, and even say words, like "Nice dog".  We broke up into groups and each group of 5 came up with as many transformations as they could.  They then performed them for the rest of the group. I'll add this now, but I'll write more about it in later posts:  daily performance expectations are crucial for young english language learners, as they should be spending at least 50% of their time (according to the latest research) talking. The sentence frame is also crucial for ELL students (unnecessary as a mainstream drama game) in that it gives everyone, even the newest of newcomers,  something to work with and models english language structure.  Students could use whatever simple nouns they might know (cat and dog are the most common for the newest language learners).  For more advanced learners coming up with unusual words was the challenge posed to them.  The first time the kids mostly did gestures to indicate the new object.  Here is a list of what the class came up with:
 
A bomb, red bull, a shoe, a dog, La Llorona, a book, a tomahawk, a plane, a hot dog, Ms. Rathwell’s nose, a boat, lipstick, nail polish, a bow and arrow, a gun, a telescope a knife, a building, Pinocchio’s nose, a unicorn, a cane, a shark, a bunny, a wolf, a door, gum, a magic wand, a pen, a boyfriend, a computer, a telephone, glasses, a cigarette.

Our  next step will be working with this list, adding specific words and phrases that can be said with each transformation.  We will also make a list of verbs or actions that help to communicate to others what their new object is.  Many possibilities, including scene creation, dialogue and tableux are possible to extend both the dramatic and language possibilities.  We'll see what we do with this tomorrow.

Friday, August 30, 2013

Drama and ELL students

The new school year started.  I teach many sections of drama at my school. All sixth graders (nearly 300 of them) cycle through me for a 9 week wheel class.  Then there is a 7/8th grade full year drama elective for about 35 students, a 7/8th grade class specifically for English Language Learners (ELL), and an after school theatre ensemble of nearly 50 students, who train as an ensemble and then perform theatre for the rest of the school.
      For the time being I want to focus on writing about the work I do with English Language Learners, specifically on using drama to facilitate their learning/acquisition of English through drama.  This will be the 4th year that I have taught a class that does just that.  It has about 22 7th and 8th grade students representing many different languages.  Many are newcomers with little if any experience in English.  Some are long term EL's.  I will outline lessons I use and thoughts about the process of using Drama to teach English.
     I just met my students a few days ago and I don't fully know each of the their stories or home languages.  I know that so far we have Spanish, French, Haitian Creole, Italian, Chinese, Arabic, Hebrew, Hindi, Russian and Tagalog speakers and, if past years are any indication,  more will come as the year progresses.  It is a mixture of students who are very educated in their primary language, as well as students whose schooling was fairly spotty in their home countries. 
Many of my friends who teach theatre ask me what I do to teach English using drama.  My short answer is I do similar drama activities to what I do with mainstream drama classes.  The difference is I begin by looking at things through the lens of language acquisition.  I think about specific language goals and how that activity will help support that.  And we work from there. 
     My experience has taught me that drama is a natural form for teaching language.  Over the course of this year my plan is to share the specifics  of our work in the class, as well as readings, resources and also add insights about language teaching I gain from my experience as a home based English  teacher for a Karen (Burma/Myanmar) refugee family in Oakland, California.

Tuesday, February 7, 2012

The show: links to video and photos

Well it happened.  As we always know it will.  We've been working since sept 1 as a theatre ensemble, and 5 months later we put on 4 shows. The student audiences (we perform for our student body, 3 times, each audience about 350 students) enjoyed the show, but the community audience, with about 300 parents, friends and community members in attendance, really got it.  The humor as well as the deeper scenes.  You could see the student actors respond to laughs and bringing their performance to another level. 

It is difficult for me to assess this project.  It began with a great need to create theatre out of my travels, to use theatre to make sense of what I had seen in Turkey.  But it grew into much more, for this is what theatre does, it forced a whole new way of thinking throughout the process.  I have lived with this play and its ideas for nearly a half a year.  And now it's over.  I am glad we undertook it.  It was good to see 35 plus middle school students wrestle with profound issues and it was good for me to learn some new things.  The big thing I learned is that it isn't easy to do good, interesting work.  But it is worth it.
Here are links to video: 
http://vimeo.com/36220233

and photos:
http://www.flickr.com/photos/53901376@N04/sets/72157629166269491/

I'll have to begin blogging about something else..

Monday, January 30, 2012

Tech Week

I'm very unclear why I haven't written an entry in two weeks...other than, it seems that bringing this play to performance level is taking a whole lot of time.  The shadow work has been difficult, but I think we are finally getting it under control.  It was clear, about the middle of last week, that our projectors, standard issue classroom overhead projectors, weren't adequate.  The projections of kids in shadow were fine, but once we added titles and some color transparencies for art work, it was clear that a major component of our show wasn't going to be up to a performance standard. So, I did what any director would do.  I woke up at 3 AM and knew, I had to get better projectors.  And I did.  I got some that were rated at 4000 lumens.  The other ones we had were something like 1200.  And the difference was staggering.  This caused me to add much much more shadow imagery to our show, which overburdened our shadow projectionists for a couple of days, but it seems undercontrol now and I think will be a cool part of the show.

      Costumes and scenery have come together as well:  take a look at the sets: and the two artists that created them (my wife, laura and daughter, carmen).
We have continued meandering to a conclusion to our story and just a week ago the ensemble and I finally arrived at what feels like an ending.
Now we have two more rehearsals (3 hours tomorrow and 7 hours on wed.) before our shows. 


 

Saturday, January 14, 2012

Link to article in AATE publication

Here is a link to insight/incite, the magazine of the American Alliance of Theatre and Education.
In the current issue is an article I wrote on my process of creating this project.  It  appears on page 24; check it out, but also check out the entire issue.
http://content.yudu.com/Library/A1v9as/InciteInsightVol3no5/resources/index.htm







Friday, January 6, 2012

Shadows and Dance

We've had a few weeks off for winter break and we return to school seeing we have about a month until production.  It sounds like a lot of time, a month, but as far as number of rehearsal days it is only 20.  It's time to move.  I am blessed with a PE teacher on our staff, Sarita Truijillo, who is a magnificent dance instructor.  She came in this week to teach a dance to the Oracles. The oracle is our attempt at humor and history.  The history is that the founder of the settlement of Byzantium (which later came to be called Constantinople, and then, Istanbul, was Byzus,  a Greek colonist.  Legend has it that Byzas went to the Oracle at Delphi seeking advice on where to found a new colony.  The oracle told him to build his new settlement across from the land of the blind.  After sailing a bit, following the path of the mythical journey of Jason and the Argonauts to the Black Sea, Byzas found himself sailing up the Dardanelles, into the Sea of Marmara, and just about to enter the straits of the Bosphorus when he came upon the  settlement of Chacedon (what is now Kadikoy--the asian side of Istanbul). From all accounts it was an awful spot: no wind, no hills for protection, no running water, no natural harbor for ships.   Some of his crew went exploring in their boats across the Bosphorus to the golden horn, to what is now the European side of Istanbul.  There the land was perfect, a wind to ward of insects and disease, running water, a natural harbor, hills for protection.  Upon seeing this Byzas is said to have declared:  The people of Chalcedon must be blind not to have seen this magnificent land.  It was then he understood the Oracle's prophecy.  And so he built his settlement there.  And the rest, as they say, is history.  Our play about the Hagia Sophia incorportates this story, with dance and some humor.
  I always try to incorporate dance into the productions for a couple of reasons: it gives voice to many students who otherwise might not participate, it adds an aesthetic dimension to our shows that is quite popular with our audience (most of our 1,000 students see the play), and it gets another adult involved.   I gave Sarita the music and she developed the dance.  I also had a few kids on hand that weren't interested in doing the dance but used the shadow screen behind the dancers, some overhead projectors for rear light projection, and a puppet, cardboard and scissors to see what they could do to support the dance.  All in all a creative session.  And it left me with a positive feeling about where we are at this point in our process.  The next step is work with our shadow artist and decide on the shadows behind the dancers, and of course continue to rehearse and refine the dance.
Here is are some photos of our work with shadows and dance today.  I will try and add a video later as well.